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General issues
Viet Art View
Fine arts review
Quintessence of Vietnamese Fine Arts
Collection style
Art fundamental
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Stream of fine arts
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Fine arts in the world
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Interest to collectors
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“LABOR, SYMPATHY AND SOLIDARITY OF NATION” IN “NEW RICE SEASON OF HOMELAND” BY PAINTER TRẦN ĐÌNH THỌ
22 April, 2023
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Viet Art View
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FROM THE PAINTING ‘GOING TO THE PAGODA ON A FESTIVAL DAY’ OF TRẦN VĂN THỌ, THINK OF VIETNAMESE CULTURAL IDENTITY
11 February, 2023
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Viet Art View
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‘L’ÉCHARPE BLEUE’ BY FAMOUS PAINTER MAI TRUNG THỨ (1906-1980), FROM THE COLLECTION OF KING HÀM NGHI (1871-1944)
28 December, 2022
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Viet Art View
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A LITTLE STORY AFTER THE VIDEO ‘MAIDEN PICKING LOTUS’ OF PAINTER NGUYỄN THỊ CHÍN
22 December, 2022
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Viet Art View
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ABOUT THE LACQUER PAINTING ‘BẢN NẬM NÀ’ OF ARTIST VĂN BÌNH (1917-2004)
16 November, 2022
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Viet Art View
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‘SPRINT’ – A PAINTING ABOUT HORSE RACING OF PAINTER VO LANG (1921-2005)
12 November, 2022
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Viet Art View
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THE GATE OF HUE IMPERIAL CITY — THOUGHTS FROM FEELING OF NGUYEN DO CUNG (1912 – 1977)
12 September, 2022
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Viet Art View
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“RETURN WITH GLORY TO BE THANKFUL” OR “CEREMONY OF PICKING THE BRIDE UP”? * —A SILKWORK OF THE DECADE 1950 – 1960 BY ARTIST DUY LIEM (1916 – 1994)
11 July, 2022
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Viet Art View
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MAIDEN PICKING LOTUS BY ARTIST NGUYEN THI CHIN (born 1937) A PAINTING WITH ROYAL PROVENANCE
14 June, 2022
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Viet Art View
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