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General issues
Viet Art View
Fine arts review
Quintessence of Vietnamese Fine Arts
Collection style
Art fundamental
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Stream of fine arts
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Fine arts in the world
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Interest to collectors
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“WOMAN PAINTER” OR IMAGE OF VIETNAMESE WOMEN WITH ÁO DÀI IN PAINTINGS OF LÊ PHỔ (1907-2001)
25 February, 2023
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Viet Art View
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ABOUT TWO SILK PAINTINGS OF ARTIST LƯƠNG XUÂN NHỊ
24 February, 2023
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Viet Art View
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SOME THOUGHTS ABOUT THE CLASSIC, EXEMPLARY SILK PAINTING OF MAI TRUNG THU
20 February, 2023
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Viet Art View
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FROM THE PAINTING ‘GOING TO THE PAGODA ON A FESTIVAL DAY’ OF TRẦN VĂN THỌ, THINK OF VIETNAMESE CULTURAL IDENTITY
11 February, 2023
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Viet Art View
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ABOUT THE EXHIBITION ‘SCENES OF THIS WORLD: MODERN PAINTINGS FROM SINGAPORE AND VIETNAM’
9 February, 2023
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Viet Art View
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SPRING IN LƯƠNG XUÂN NHỊ PAINTING
17 January, 2023
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Viet Art View
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‘L’ÉCHARPE BLEUE’ BY FAMOUS PAINTER MAI TRUNG THỨ (1906-1980), FROM THE COLLECTION OF KING HÀM NGHI (1871-1944)
28 December, 2022
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Viet Art View
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A LITTLE STORY AFTER THE VIDEO ‘MAIDEN PICKING LOTUS’ OF PAINTER NGUYỄN THỊ CHÍN
22 December, 2022
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Viet Art View
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NHẬT TIÊN BRIDGE, THẦY PAGODA- THE PATH TO ZEN DOOR
3 December, 2022
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Viet Art View
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