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General issues
Viet Art View
Fine arts review
Quintessence of Vietnamese Fine Arts
Collection style
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Stream of fine arts
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Western fine arts
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ABOUT TWO SILK PAINTINGS OF ARTIST LƯƠNG XUÂN NHỊ
24 February, 2023
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Viet Art View
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SOME THOUGHTS ABOUT THE CLASSIC, EXEMPLARY SILK PAINTING OF MAI TRUNG THU
20 February, 2023
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Viet Art View
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FROM THE PAINTING ‘GOING TO THE PAGODA ON A FESTIVAL DAY’ OF TRẦN VĂN THỌ, THINK OF VIETNAMESE CULTURAL IDENTITY
11 February, 2023
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Viet Art View
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FROM THE PAINTING ‘GOING TO THE PAGODA ON A FESTIVAL DAY’ OF TRẦN VĂN THỌ, THINK OF VIETNAMESE CULTURAL IDENTITY
11 February, 2023
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Viet Art View
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ABOUT THE EXHIBITION ‘SCENES OF THIS WORLD: MODERN PAINTINGS FROM SINGAPORE AND VIETNAM’
9 February, 2023
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Viet Art View
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SPRING IN LƯƠNG XUÂN NHỊ PAINTING
17 January, 2023
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Viet Art View
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LOOK AT ‘NEW YEAR FLOWER MARKET’ BY PAINTER LƯƠNG XUÂN NHỊ MISS THE CHARM OF VIETNAMESE NEW YEAR
17 January, 2023
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Viet Art View
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‘L’ÉCHARPE BLEUE’ BY FAMOUS PAINTER MAI TRUNG THỨ (1906-1980), FROM THE COLLECTION OF KING HÀM NGHI (1871-1944)
28 December, 2022
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SEEING ‘L’ÉCHARPE BLEUE’ BY MAI TRUNG THỨ, THINK OF VIETNAMESE CONSCIOUSNESS
27 December, 2022
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Viet Art View
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